Showing posts with label David Hockney. Show all posts
Showing posts with label David Hockney. Show all posts

Friday, 9 December 2011

David Hockney: The Tourist Trail Starts Here




David Hockney, the godfather of British art, is about to start work in a new medium that he has been famously dismissive of in the past. Tourism.

Bridlington-based Hockney is in the process of creating an official tourist trail to a number of sites across his home county of Yorkshire, with a particular focus on those places he has painted in his beloved Yorkshire Wolds as part of his Royal Academy exhibition which opens in January.

It represents a change of heart by Hockney who has been reluctant to promote Yorkshire in the past as he famously does not like crowds of people. This is one of the reasons he settled in Los Angeles, because of the lack of celebrity chasing that he experienced in Britain and then Paris in the 1970s.

Even at the press conference to launch next year’s Royal Academy exhibition he expressed concern that his paintings might result in an influx of people to the Wolds altering its atmosphere and appeal, especially to him.

However, he is a pragmatist too and he recognises that the David Hockney RA: A Bigger Picture exhibition will put the Yorkshire Wolds on the global map for artists as well as tourists as the bulk of the landscape and film works being exhibited were done in this quiet corner of East Yorkshire.

It is already being talked about as Hockney Country in the art world, just as Suffolk is recognised as Constable Country.

So Britain’s greatest living artist has agreed to work with the county’s tourist board, Welcome to Yorkshire, to create an official tourist trail, rather than allow unofficial versions or websites to incorrectly identify the sites at which he has worked.

It is not yet known whether he will actively promote the trail himself or just lend his name and copyright to it.

Sites likely to be featured would include the village of Warter where he painted Bigger Trees (which were subsequently chopped down) and Bigger Trees Near Warter (which still exist). Although it is not part of the Royal Academy exhibition it remains one of his most famous works from the Wolds, a giant painting made up of 50 canvases measuring 40 feet in width.

Other areas which are likely to be included would be Garrowby Hill and Sledmere, both of which are re-imagined workings of the landscapes he knows so well, rather than painted en plein air like those in Warter.

Thixendale, where he has painted three trees through the seasons might also be included as well as Woldgate Woods, outside the village of Kilham, both of which feature in the new Royal Academy exhibition.

However, Bridlington, where he now spends most of his time rather than in Los Angeles, might not be featured, just in case the trail creates Hockney Hunters intent on finding the ultimate spot on the Hockney Trail, his studio.

Wednesday, 7 September 2011

Yorkshire prepares to reclaim Hockney



Hockney's six canvas Woldgate Woods in East Yorkshire

Bradford-born David Hockney is synonymous with Los Angeles and sunny California but all that is about to change as a new exhibition of his landscape paintings reclaims him for the county of his birth, Yorkshire.

David Hockney: A Bigger Picture opens in January at the Royal Academy of Arts in London and Hockney hopes the collection of new work, the majority of which has been painted in East Yorkshire where he lives when he is not in the Hollywood Hills, will be as iconic for Yorkshire as his infamous swimming pool paintings were for Los Angeles in the 1960s.

He said: “It’s a landscape I know from my childhood, it has meaning to me, but I never thought of it as a subject matter until 10 years ago when I realised, for me at my age, it was a terrific subject, a marvellous place.”

Adding: “It’s a lovely bit of England still, not spoilt very much.”

Over 150 works will be shown across the Royal Academy’s Main Galleries, including sketches, ipad drawings, video installations and giant paintings that span the width of the walls.

Such has been quality of the body of work produced that one of that exhibition’s curators Edith Devaney from the Royal Academy predicts Hockney will become forever associated with East Yorkshire just as fellow painter John Constable is with Suffolk.

Hockney makes for an unlikely tourism ambassador. He shot to fame as a leading light in the British Pop Art movement in the 1960s and moved to southern California shortly afterwards. He doesn’t like crowds of people, which is why the solitude of the Yorkshire Wolds is so appealing to him. The thought of a surge of tourists heading to Yorkshire to see the places depicted in his paintings fills him with a slight dread and yet the global attention this exhibition is bound to generate is almost guaranteed to attract art lovers from across the world to discover Hockney’s Yorkshire.

They’d be advised to set aside a few days as his influence spans the width of the county. He was born in the west and studied art at Bradford; Salts Mill in Saltaire still houses one of the finest collections of his work in the world, one he constantly adds to and updates. In the east, locations in the Yorkshire Wolds such as Kilham, Garrowby Hill and Thixendale are about to put on the map by the new exhibition, as will Bridlington on the Yorkshire coast, where he lives when he is not in California, and of which he said:

“I’ve been going to Bridlington for a long time I’ve spent over 30 Christmasses there [at the home of his mother and sister] and I never stayed in the winter that much as I thought it was too cold and too dark but the first time I did, I realised how beautiful the winter was, it was not black or white, it was not grey, in fact sometimes there was more colour than the summer.”

Hockney said he hoped that when the exhibition opened in January it would open people’s eyes to the beauty of spring and encourage people to look more at their changing surroundings. He might not like it very much but the exhibition might also result in him having to share his beloved East Yorkshire with more people than he is used to as the county reclaims one of its most famous sons.

The exhibition will run at the Royal Academy from 21 January 2012 to 9 April 2012.